Today's guest is Chris Donnelly, a Juno-nominated pianist and composer from Toronto Canada.
What you’re going to learn about in this interview.
- Ways to integrate musical material into your playing
- Intelligent ways to restrict yourself as a composer and producer
- The benefits of writing in various mediums such as paper, piano, and computer
- Why playing with other people early in your music education is valuable
- Chris's background and music education story
- The importance of practical experience when learning
- The undervalued aspect of rhythmic studies and rhythmic independence
- Techniques to develop musical intuition and incorporate material into your playing
- How to create exercises that enhance your improvisation skills
- An introduction to species counterpoint writing
- Considering the unique characteristics of each key on your instrument
- Achieving a state of flow while using computers
- The benefits of play when starting with a blank page
Quotes
‘There seemed to be the certain respect for the person who could sit at your desk and write it by hand... there's a little bit of charm about thinking… I've got my ink and, and a candle and I'm gonna write it this way. That's kind of cool. But, you know, I've been using computers all my life. I've been playing video games all my life. I can achieve so much better flow at the computer because the computer is also my instrument.’
‘I think what makes a good composer... isn't that they can play the piano, but they just know how to manipulate form.’
‘Nobody's really talking about hand independence. The number one question for a jazz piano player or jazz student is, what the hell do I do with my left hand?'
‘One way I've been trying to get my students to create their own exercises is if you look at [a] pattern and try to reduce it to a sequence... [for example, a sequence] of steps and skips and what you [then] do is you create your own sequence, create your own pattern. It's like an algorithm that you're going to feed into a computer and out of that is going to come this melodic pattern that you then have to repeat many, many times to get it under your hands.’
Links & Names Mentioned
- http://www.chrisdonnellymusic.com
- http://www.chrisdonnellymusic.com/videos/
- Orf Method
- Kodaly
- Brad Mehldau
- Sasha Rapoport at the University Toronto
- Russell Hardenberger
- Hand independence posts
- Dave Holland